Carving
Woodcut gave the line physical force. Zarina often removed the surrounding field so that a cut, fissure, road, or border emerged through absence.
Works
Prints, portfolios, sculpture, and works on paper. Begin with selected works, then explore the works catalogue.
“I have been engaged in a conversation with myself for a long time, trying to understand how and why I got here.”
Best known as a printmaker, Zarina preferred to carve a line rather than draw it—to gouge a surface instead of building one up. She worked across woodcut, intaglio, lithography, and screenprint, often using a portfolio so that a place, word, or idea could gather meaning through repetition.
Architecture, Urdu, remembered homes, contested borders, and damaged geographies recur throughout the work. Beyond printmaking, she punctured, scratched, wove, folded, and sewed paper, and made sculptures in bronze, aluminium, steel, wood, tin, and paper pulp.







Selected portfolios
Explore completed portfolio pages and catalogue records for works still being researched.

Rooms, memory, and the architecture of home
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Coastal light, Urdu poetry, and interior space
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Maps of memory, movement, and divided territory
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An etched sequence moves toward the boundary of land and water
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Plans, remembered dwellings, and the form of belonging
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Cities transformed by distance, memory, and loss
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Correspondence, absence, and the material life of memory
Explore portfolio →Materials and methods
Technique is never separate from memory, place, and language.
Woodcut gave the line physical force. Zarina often removed the surrounding field so that a cut, fissure, road, or border emerged through absence.
Handmade papers carry place through fiber, color, weight, and edge. They appear as printing surfaces, collage elements, cast objects, folded structures, and supports.
Portfolios allowed a subject to unfold through variation. Homes, cities, words, routes, and signs accumulate meaning across a sequence.
Gold leaf, black ink, obsidian, and darkened paper turn light into both material and metaphor—at times luminous, at times unreachable.
Works catalogue
Explore Zarina’s prints, portfolios, sculptures, and works on paper. Together, they reveal a practice shaped by home, memory, language, borders, and place.
Explore the works catalogue

Collage with 22-karat gold leaf on Arches Black paper

Shavings of silver stick on Indian handmade paper stained with Sumi ink Mounted on Somerset Antique paper

Collage of BFK light paper printed with black ink and shavings of silver stick on Somerset Antique paper Mounted on Somerset Antique paper

Collage of BFK light paper printed with black ink, mounted on Somerset Antique paper

Collage with 22-karat gold leaf on Arches Black paper Diptych

Collage with Arches black paper on Somerset white paper

Collage with Arches black paper stained with Sumi ink and shavings of silver stick Mounted on Arches black paper

Shavings of silver stick on Indian handmade paper stained with Sumi ink Mounted on Somerset Antique paper

Shavings of gold stick on Indian handmade paper stained with Sumi ink Mounted on Somerset Antique paper

Drawing with gold stick on Indian handmade paper stained with Sumi ink Mounted on Arches Black paper

Drawing with gold stick on Indian handmade paper stained with Sumi ink Mounted on Arches Black paper

Shavings of gold stick on Indian handmade paper stained with Sumi ink Mounted on Arches black paper

Sheesham wood strung with steel cable

Collage with strips of Indian handmade paper stained with Sumi ink on Arches Cover buff paper

Crushed Indian handmade paper stained with Sumi ink Mounted on Arches black paper

Collage with rubbings on Indian handmade paper Mounted on Somerset Antique paper

Collage with strips of woodcuts printed in black, Indian handmade paper stained with Sumi ink, gold stick and 22-karat gold leaf on Arches Cover buff paper

Collage with graphite rubbings on Indian handmade paper Mounted on Somerset Antique paper

Collage with woodcuts and BFK light paper printed with black ink Mounted on Arches Cover buff paper

Collage with woodcuts printed in black on BFK light paper

Collage with strips of woodcuts printed in black and Indian handmade paper stained with Sumi ink on Arches Cover buff paper

Collage with woodcuts printed in black on BFK light paper Mounted on BFK light paper printed with black ink

Collage with pewter leaf on Arches Black paper

Collage with pewter leaf on Arches Black paper

Collage with Indian handmade paper stained with Sumi ink Mounted on Arches Cover buff paper

Collage with BFK light paper printed with black and red ink Mounted on Arches Cover buff paper

Collage with BFK light paper printed with black and red ink Mounted on Arches Cover buff paper

Collage with BFK light paper printed with black ink Mounted on Arches Cover buff paper

Collage with Indian handmade paper stained with Sumi ink Mounted on Arches Cover buff paper

Collage with BFK light paper printed with black ink Mounted on Arches Cover buff paper

Collage with BFK light paper printed with black ink Mounted on Somerset Antique paper

Collage with woodcuts and BFK light paper printed with black ink Mounted on Arches Cover buff paper

Collage with BFK light paper printed with black ink Mounted on Arches Cover buff paper

Collage of etchings printed on Indian handmade paper Mounted on Arches black paper

Collage with Indian handmade paper stained with Sumi ink Mounted on Arches Cover buff paper

Collage with Indian handmade paper stained with Sumi ink Mounted on Arches Cover buff paper

Collage of woodcut and printed black on Indian handmade paper Mounted on Arches Cover buff paper

Collage with 22-karat gold leaf and BFK light paper stained with Sumi ink on Arches black paper

Collage with 22-karat gold leaf and BFK light paper stained with Sumi ink on Arches black paper

Collage with 22-karat gold leaf, gold pen and BFK light paper stained with Sumi ink on Arches black paper

Collage with 22-karat gold leaf and BFK light paper stained with Sumi ink on Arches black paper

Collage with 22-karat gold leaf and BFK light paper stained with Sumi ink on Arches black paper

Collage with 22-karat gold leaf and BFK light paper printed with black ink Mounted on Arches Cover buff paper

Collage with gold stick rubbings on Arches Black paper

Collage with gold stick rubbings on Arches Black paper

Collage with graphite rubbings on Arches Cover buff paper

Collage with graphite rubbings on Arches Cover buff paper

Collage with rubbings on Indian handmade paper stained with Sumi ink on Arches Black paper
Browse by title, date, material, or type to discover relationships across Zarina’s body of work.