Writing on and around Zarina

Nagasawa, Nobuho. “A Personal Tribute to the Concept of Home, as Expressed through my Friendship with Zarina.” 5 May 2020.

Harris, Gareth. “She Transcends Genres and Brings Together Beauty, Text and Form: Tributes to Zarina Who Has Died, Aged 83.” The Art Newspaper, 28 April 2020.

Zarina: Folding House. New Delhi, India: Gallery Espace Art, 2014.

Zarina: Paper like Skin. Munich, London and New York: DelMonico Books/Prestel; Los Angeles: Hammer Museum, 2012.

Zarina Hashmi: Noor. Paris: Galerie Jaeger Bucher, 2011.

Zarina Hashmi: Recent Work. New Delhi: Gallery Espace, 2011.

Zarina: Paper Houses. New Delhi: Gallery Espace, 2007.

Zarina: Weaving Memory 1990–2006. Mumbai: Bodhi Art, 2007.

Zarina Hashmi: Silent Soliloquy. Singapore: Bodhi Art, 2006.

Zarina: Counting 1977–2005. New York: Bose Pacia, 2005.

Cities, Countries and Borders: Prints by Zarina. Mumbai: Gallery Chemould; New Delhi: Gallery Espace, 2004.

Zarina: Mapping a Life, Oakland 1991–2001. Oakland: Mills College Art Museum, 2001.

Home Is a Foreign Place, exh. brochure. New Delhi: Gallery Espace, 2000.

Zarina: Screenprints, Tapestries, exh. brochure. New Delhi: Gallery Chanakya, 1974.

Alchemy: Transformations in Gold, exh. cat., 73-76. Des Moines: Des Moines Art Center, 2017.

The Artist Project: What Artists See When They Look at Art. London: Phaidon, 2017.

El arte y el espacio, exh. cat. Bilbao: Guggenheim Museum, 2017.

Ramaswamy, Sumathi. “Art on the Line: Cartography and Creativity in a Divided World.” In Decolonizing the Map: Cartography from Colony to Nation, 284-338. Chicago: University of Chicago Press, 2017.

The Restless Earth/ La Terra Inquieta, exh. cat. Milan: Electa, 2017.

Khullar, Sonal. Worldly Affiliations: Artistic Practice, National Identity, and Modernism in India, 1930– 1990, 2–3, 5. Oakland: University of California Press, 2015.

Karode, Roobina, Geeta Kapur, Deepak Ananth, and Andrea Giunta. Nasreen Mohamedi: Waiting Is a Part of Intense Living, 21, 193, 204, 275. Madrid: Museo Nacional Centro de Arte Reina Sofía, 2015.

Pedrosa, Adriano, ed. Artevida, vol. 1, 48–51. Rio de Janeiro: Editora Cobogó, 2015.

Experiments with Truth: Gandhi and Images of Nonviolence, 43, 277. Houston: Menil Foundation; New Haven: Yale University Press, 2014.

Ritterskamp, Julia, and Gérard A. Goodrow. Passages: Indian Art Today, 177, 180–81, 184–87. Cologne, Germany: DAAB Media, 2014.

Stout, Katharine. “Abstraction.” In Contemporary Drawing from the 1960s to Now, 33. London: Tate Enterprises, 2014.

Between the Lines: A Coloring Book of Drawings by Contemporary Artists. Vol. 4, 104–5. New York: RxArt, 2013.

Milford-Lutzker, Mary-Ann. “The Poetry of Zarina’s Art.” In Indian Painting—Essays in Honour of B. N. Goswamy, 411–21. Nashik, India: Mapin Publishing, 2013.

Mufti, Aamir R. “Zarina Hashmi and the Arts of Dispossession.” In Lines of Control: Partition as a Productive Space, 87–99, 170–71. Ithaca, NY: Herbert F. Johnson Museum of Art, Cornell University; London: Green Cardamom, 2012.

Pohl, Frances K. Framing America: A Social History of American Art. 3rd ed., 561. London: Thames and Hudson, 2012.

Brown, Rebecca, and Deborah Hutton, eds. A Companion to Asian Art and Architecture. London: Wiley- Blackwell Publishing, 2011.

Drawn from Life. London: Green Cardamom, 2011.

Everyone Agrees: It’s about to Explode, India Pavilion, 54th International Art Exhibition, la Biennale di Venezia. New Delhi: Lalit Kala Akademi, 2011.

Hoffman, Jens. “Zarina Hashmi.” In The Companion: 12th Istanbul Biennial 2011. Istanbul: IKSV Biennial, 2011.

ILLUMInations, 54th International Art Exhibition, la Biennale di Venezia. Venice: Fondazione La Biennale di Venezia, 2011.

Mathur, Saloni, ed. The Migrant’s Time: Rethinking Art History and Diaspora. Williamstown, MA: Clark Art Institute, 2011.

Ananth, Deepak. “Zigzag.” In Orientations: Trajectories in Indian Art, 10-11. Oudenburg, Belgium: Foundation De Elf Lijnen, 2010.

Hand, Voice and Vision: Artists’ Books from Women’s Studio Workshop. New York: Women’s Studio Workshop, 2010.

Luhring Augustine 1985–2010. New York: Luhring Augustine, 2010.

The Third Mind: American Artists Contemplate Asia: 1860–1989. New York: Guggenheim Museum Publications, 2009.

The 7th Gwangju Biennale. Gwangju, South Korea: Gwangju Biennale Foundation, 2008.

Expansion: Resonance. Paris: Galerie Jaeger Bucher, 2008.

Gouge: The Modern Woodcut 1870 to Now, exh. brochure. Los Angeles: Hammer Museum, 2008.

India moderna. Valencia: Instituto Valenciano de Arte Moderno, 2008.

Machida, Margo. Unsettled Visions: Contemporary Asian American Artists and the Social Imaginary. Durham, NC: Duke University Press, 2009.

Merali, Shaheen, ed. Everywhere Is War (And Rumours of War). Mumbai: Bodhi Art, 2008.

Mark, Lisa Gabrielle, ed. WACK! Art and the Feminist Revolution. Cambridge, MA: MIT Press, 2007.

Mufti, Aamir R. Enlightenment in the Colony: The Jewish Question and the Crisis of Postcolonial Culture. Princeton, NJ: Princeton University Press, 2007.

Sykes, Stephanie, ed. The First Annual DIFC Gulf Art Fair. Dubai: Madinat Arena, Madinat Jumeirah, The Arabian Resort, 2007.

Appadurai, Arjun. Fear of Small Numbers: An Essay on the Geography of Anger. Durham, NC: Duke University Press, 2006.

Back to the Future. New Delhi: Gallery Espace, 2006.

Shah, Kavita.Footprints: Women in Printmaking. Baroda, India: Chhaap Baroda Printmaking Workshop, 2006.

Crossovers and Rewrites: Borders over Asia. Porto Alegre, Brazil: Museum of Contemporary Art, 2005.

Figures of Thinking: Convergences in Contemporary Cultures, exh. cat. New York: Pamela

Auchincloss/Arts Management; Richmond, VA: University of Richmond Museums, 2005.

Sen, Geeti, and Molly Kaushal, eds. Journeys: Heroes, Pilgrims, Explorers. New Delhi: India Penguin Viking, 2004.

Subtlety—Minimally. Mumbai, India: Sakshi Gallery, 2004.

Kim, Elaine H., Margo Machida, and Sharon Mizota, eds. Fresh Talk / Daring Gazes: Conversations on Asian American Art. Berkeley and Los Angeles: University of California Press, 2003.

Fifth Bharat Bhavan International Biennial of Prints, 2001. Bhopal: Roopankar Museum of Fine Arts, 2001.

Shohat, Ella, and Coco Fusco, eds. Talking Visions: Multicultural Feminism in the Age of Globalization.

Cambridge, MA: MIT Press, 2001.

Farris, Phoebe, ed. Women Artists of Color: A Bio-Critical Source Book to 20th Century Artists in the Americas, 455–60. Westport, CT: Greenwood Press, 1999.

Icons of the Millennium. Mumbai: Lakeeren—The Contemporary Art Gallery, 1999.

Asian American Artists: Cross-Cultural Voices, exh. brochure. Stony Brook: State University of New York at Stony Brook, 1998.

Gift for India. New Delhi: Safdar Hashmi Memorial Trust, 1997.

Out of India: Contemporary Art of the South Asian Diaspora. New York: Queens Museum of Art, 1997.

Mini Print ’96. New Delhi: Gallery Espace, 1996.

Third Bharat Bhavan: International Biennial of Prints—1995. Bhopal: Roopankar, Roopankar Museum of Fine Arts, 1995.

Asia/America: Identities in Contemporary Asian American Art. New York: The New Press and The Asia Society Galleries, 1994.

Intergrafia ’94. Kraków: Stowarzyszenie Międzynarodowe Triennale Grafiki, 1994.

Fariello, Anna, ed. Coast to Coast: A Women of Color National Artists’ Book Project. Radford, VA: Flossie Martine Gallery, Radford University, 1990.

1st Bharat Bhavan International Biennial of Prints, 1989. Bhopal: Roopankar Museum of Fine Arts, 1989.

Art for CRY. Bombay: CRY—Child Relief and You, 1988.

Forty Years, Robert Blackburn and the Printmaking Workshop, exh. brochure. Miami: Miami, Metro-Dade Cultural Center, 1988.

Première triennale mondiale d’estampes petit format. Chamalières, France: Association Musée d'art contemporain de Chamalières, 1988.

Fathers. New York: Asian Arts Institute, 1986.

Indian Women Artists. New Delhi: National Gallery of Modern Art Publications, 1986.

Cornell University Department of Art Faculty Exhibition. Ithaca, NY: Herbert F. Johnson Museum of Art, Cornell University, 1985.

Graphic Art in India since 1850. New Delhi: Lalit Kala Akademi Publications, 1985.

Parris, Nina. Through a Master Printer: Robert Blackburn and the Printmaking Workshop. Columbia, SC: Columbia Museum of Art, 1985.

Women Artists Series at Douglass College, 1984–1985. New Brunswick: Rutgers, The State University of New Jersey, 1985.

1984, Big Brother Is Watching: 5 Women’s Art Organizations Make Artcrime. Rosendale, NY: Women’s Studio Workshop, 1984.

Paper Transformed: A National Exhibition of Paper Art. Terre Haute: Truman Gallery, Indiana State University, 1984.

Paperworks: A National Invitational. Spokane: Cheney Cowles Memorial Museum/Eastern Washington State Historical Society, 1984.

Robins, Corinne. Women Artists of the 80’s: New Talent. New York: A.I.R. Gallery, 1984.

Ballenger, Rebecca D. Exchange of Sources: Expanding Powers. Stanislaus: California State College, 1983.

The New Explosion: Paper Art. New York: Fine Arts Museum of Long Island, 1983.

Making Paper. New York: American Craft Museum, 1982.

Paper/Art: A Survey of the Work of Fifteen Northern California Paper Artists. Sacramento: Crocker Art Museum, 1981.

Transformations: Women in Art 70’s—80’s. New York: New York Coliseum, 1981.

Dialectics of Isolation: An Exhibition of Third World Women Artists of the U.S. New York: A.I.R. Gallery, 1980.

Contemporary Artists of India. New York: Alternative Center for International Arts, 1978.

Contemporary Indian Artists, exh. brochure. New York: New India House, 1978.

Appasamy, Jaya, ed. 25 Years of Indian Art: Painting, Sculpture and Graphics in the Post-independence Era. New Delhi: Lalit Kala Akademi Publications, 1972.

S. W. Hayter et l’atelier 17, exh. brochure. Charleroi, France: Palais des Beaux-Arts, 1967.

Jayawardane, M. Neelika. “A Somber Commemoration of the Partition of India, 70 Years Later.”

Hyperallergic, 19 January 2018.

Naeem, Asma. "Partition and the Mobilities of Margaret Bourke-White and Zarina," American Art 31, no. 2 (Summer 2017): 81-88.

“Zarina Hashmi: Refugee Camps, Temporary Homes.” Asian Diasporic Visual Cultures and the Americas 3 (2017): 345-353.

Singh, Devinka. “India-France: Artistic Exchanges.” Marg: A Magazine of the Arts 69, no. 1 (September – December 2017): 14-21.

Mufti, Aamir R. “Zarina’s Language Question.” Marg: A Magazine of the Arts 68, no.1 (September- December 2016): 26-33.

Singh, Kishore. “Minimal, Women, Artists.” Business Standard, web, 12 March 2016.

“Repertoire of 30 Artists Trace Process of Creating Artworks.” Business Standard, web, 27 April 2015.

Brodie, Judith. “Notes: Zarina.” Print Quarterly 31, no. 1 (March 2014): 83–84.

Chattopadhyay, Pallavi. “A Border Runs through It.” Indian Express, 15 February 2014.

Dadi, Iftikhar. “Mapping Asia.” Yishu: Journal of Contemporary Chinese Art 13, no. 6 (November/December 2014): 88–89.

“Goings On about Town: Art—Zarina,” New Yorker, 17 November 2014, 16.

Gratza, Agnieszka. “Zarina’s ‘Folding House.’” Art Agenda, 3 March 2014.

Kumar, Shaurya. “Zarina: Paper and Partition.” Art in Print 3, no. 6 (March–April 2014): 20–24.

Kurchanova, Natasha. “Zarina: Descending Darkness,” Studio International, 21 November 2014.

Prakash, Uma. “A World of Loss and Displacement.” Asian Art News 24, no. 4 (July/August 2014): 70–73.

Sawhney, Aakriti. “Zarina Hashmi: A Life Mapped on Paper.” Hindustan Times, 11 February 2014.

Sengupta, Paula. “The Other Voice: Women in Indian Art—A Post-Modern Study.” Arts Illustrated 1, no. 5 (February–March 2014): 56–57.

Vali, Murtaza. “Critics’ Picks: New York—Zarina.” Artforum, November 2014, http://artforum.com/picks/#picks49278.

Zarina. “These Cities Blotted into the Wilderness (Adrienne Rich after Ghalib)” [portfolio]. Tripwire 8, Oakland 2014: 70–80.

Cotter, Holland. “ARTS: The Week Ahead: Jan 27–Feb 2.” New York Times, 25 January 2013.

Nadelman, Cynthia. “Pulp Fictions.” ARTnews 112, no. 9, (October 2013): 88–93.

Ollman, Leah. “Exhibition Reviews: Zarina—Hammer Museum.” Art in America, February 2013, 110–11.

Patel, Vibhuti. “Dividing Lines and The Art of the Exile.” Wall Street Journal, 25 January 2013, A21.

Rosenberg, Karen. “Reveling in the Multicultural Possibilities of Paper.” New York Times, 1 February 2013, C28.

Sen, Geeti. “Portrait of an Artist: Zarina Hashmi.” Arts Illustrated 1, no. 4 (December 2013–January 2014): 24–27.

Shemza, Anwar Jalal. “Zarina.” Harper’s Bazaar—Hong Kong, no. 1 (May 2013): 42–43.

Singh, Devika. “Reviews: Zarina—Guggenheim Museum, New York.” Frieze, no. 156 (June 2013): 235.

Tichenor, Brian M., and Thorp Raun. “Zarina: Paper like Skin.” Art in Print, January 2013, 46–47.

Wilson-Goldie, Kaelen. “Critics’ Picks: Zarina Hashmi—Solomon R. Guggenheim Museum.” Artforum, April 2013.

Wolff, Rachel. “Printmaker Zarina Hashmi Finally Gets Her Due at the Guggenheim.” Modern Painters, January 2013, 56–61.

Citron, Beth. “Previews—Zarina: Paper like Skin.” Artforum 51, no. 2 (October 2012): 115.

Jahagirdar, Archana. “Plural Landscapes.” Indian Express, 29 April 2012. Knight, Christopher. “Review: Zarina Hashmi Imprints Herself in Paper.” Los Angeles Times, 21 November 2012.

Masters, H. G. “Five Plus One: Zarina Hashmi.” Art Asia Pacific Almanac, 2012, 84.

Rosenberg, Karen. “Art Review: Leaving the Figure Behind.” New York Times, 22 June 2012, C26.

Sand, Olivia. “Artist Profile: Zarina Hashmi.” Asian Art, June 2012.

“54th Venice Biennale: Zarina Hashmi (India).” Art It, 2 June 2011.

“After 116 Years, India Pavilion’s Debut at Venice Art Fair.” Deccan Herald, 15 April 2011.

Bonnet, Frédéric. “À l’heure indienne.” Journal des arts, 23 June 2011, 32.

Chatterjee, Madhusree. “Muslim Women Creating New Artscape.” Thaindian News, 14 September 2011. Cohen,

Margot. “India Heads to the Venice Biennale.” Wall Street Journal Scene Asia [blog], 10 January

2011. http://blogs.wsj.com/scene/2011/01/10/india-heads-to-the-venice-biennale/.

de Maulmin, Valérie. “Dans la lumière dorée de Zarina Hashmi.” Connaissance des arts, no. 693 (May 2011): 106..

“Indian Art Heads for the Shores of Venice.” Mail Today, 4 April 2011, 21.

“Indian Pavilion in Venice Biennale Makes Visitors Curious.” Pravasi Today, 7 June 2011.

Jumabhoy, Zehra. “Zarina Hashmi, Gallery Espace.” Artforum, May 2011.

Kaira, Vandana. “Now Art Is Fashion.” Indian Express, 25 January 2011.

Khasnis, Giridhar. “Mapping inner Links.” Deccan Herald, 22 January 2011.

“Le Zimbabwe et l’Inde, nouveaux venus à la Biennale de Venise, annoncent leurs pavillons et artistes.”

Artinfo France, 20 April 2011.

Maddox, Georgina. “Buzz at the Biennale.” Express Newsline, 20 June 2011, 6.

“Zarina Hashmi’s Personal Journey across Continents and Civilizations.” The Arts Trust—Indian Contemporary Art, 22 June 2011.

Mazumdar, Subhra. “Celebrating India’s Art in All Its Hues.” Deccan Herald, 28 May 2011.

Poddar, Sandhini. “Sight Lines: On the Horizon.” Art in America, February 2012, 31.

Raaj, Neelam. “Paper Trail.” TOI-Crest, 12 February 2011.

Rahman, Maseeh. “Mouthing Off Gift Horses.” Outlook India, 4 July 2011,

Ruff, Joel. “Focus Indien.” Artnet, 3 June 2011. http://www.artnet.fr/magazine/expositions/RIFF/INDIEN.asp.

“Zarina Hashmi: Noor.” Télérama sortir, 14 June 2011.

Sasaki, Sali. “100 Artists’ Prices.” Art Newspaper Magazine, June 2011.

“First-Ever India Pavilion at the Venice Biennale.” Culture360, 5 May 2011. http://culture360.asef.org/news/first-ever-india-pavilion-at-the-venice-biennale/.

“The India Pavilion at Venice.” The Arts Trust—Indian Contemporary Art, May 2011.

“Zarina Hashmi: Noor.” Télérama sortir, 25 May 2011, 31. Tripathi,

Shailaja. “Etched Forever.” The Hindu, 17 February 2011.

“Indian Artist Zarina Hashmi’s First Solo Show in Paris Opens at Jaeger Bucher Gallery.”

Artdaily.org, 28 March 2011.

“Zarina dans les villes.” Air France Magazine, April 2011, 35.

“Zarina Hashmi.” Art Investor, March 2011, 51.

Wolinski, Natacha. “Saison Indienne.” Air France Magazine, June 2011.

Baswani, Manisha Gera. “Fly on the Wall #2.” Take on Art Magazine 1 (January 2010).

Chishti, Seema. “Finally, Indian Pavilion at 2011 Venice Biennale.” Indian Express, 27 September 2010.

Cotter, Holland. “Mind and Matter: Alternative Abstractions, 1940s to Now.” New York Times, 18 June

2010.

Gera, Manisha. “Contemporary Artists and Mud.” Namaste: The ITC Welcomgroup Magazine, December 2010, 47–50.

Blume, Jillian. “Summer Arts Guide.” New York Observer, 29 June 2009, 3.

Chaturyedi, Bharati. “Second India Summit Sees Overwhelming Attendance, Modest Sales.” Art India, 26 August 2009.

Citron, Beth. “Zarina Hashmi.” Artforum.com, July 2009.

Cotter, Holland. “Gaze East and Dream.” New York Times, 30 January 2009, C29.

“Zarina Hashmi ‘The Ten Thousand Things.’” New York Times, 17 July 2009, C25.

Field, Jennifer. “Zarina Hashmi: The Ten Thousand Things.” ArtAsiaPacific, no. 66 (November 2009): 138.

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Meenakshi. “Zarina Hashmi.” Whitewall Daily, 1 July 2009.

Wilson, Michael. “Zarina Hashmi: The Ten Thousand Things.” Time Out New York, no. 720 (16 July 2009): 59.

King, Deirdre. “Anchoring the Void.” Art News Magazine of India 13, no. 2 (2008): 115–16.

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Dang, Gitanjali. “All That’s Fit to Print.” Hindustan Times, 23 January 2007.

“Zarina Hashmi—The Early Years.” SHE, February 2007, 58.

Pal, Deepanjana. “The Fine Print.” Time Out Mumbai, 12 January 2007, 48.

Patel, Samir S. “Zarina: Edges of Her World.” Art Asia Pacific, no. 54 (July 2007): 72.

Nazar, Nukta-E. “Nukta in Conversation with Zarina Hashmi.” Nukta Art, January 2006, 136–42.

Nelson, Robert. “Micro View of the Macro World.” The Age, 29 March 2006.

Cotter, Holland. “Art in Review; Zarina.” New York Times, 2 December 2005.

“The Listings.” New York Times, 16 December 2005.

“Taking a Magical Flight through Modern India.” New York Times, 4 March 2005. ZJ. “Cut to the Quick.” TimeOut Mumbai, 2005.

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Mirza, Quddus. “Zarina Hashmi at Rohtas 2.” Flash Art 37 (May-June 2004): 76.

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Naqvi, Akbar. “From Intimate Speech to Political Correctness.” Herald, March 2004, 132–34.

“The Atlas of My World: Zarina Hashmi in Dialogue with Geeti Sen.” India International Centre Quarterly

30, no. 3 /4 (Winter 2003 – Spring 2004): 240-257.

Ganesh, Chitra. “Memory on the Edge of Collapse: Zarina Hashmi and Jean Shin.” Dialogue—Magazine of the Asian American Arts Alliance, March 2001, 8–11.

Akhter, Shamim. “Art & Artist.” Daily News, 9 September 2000.

Chopra, Suneet. “The Conceptual Travels of Zarina Hashmi.” Financial Express, 30 January 2000.

Dutt, Nirupama. “Home Is ELSEWHERE.” Express Newsline, 20 January 2000.

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“Minimalist at Home.” Hindustan Times, 26 January 2000.

Naqvi, Akbar. “Discourse of Intimacy.” Herald, October 2000, 131–33.

Sen, Geeti. “Mapping Boundaries in Space and Time.” Art News Magazine of India 5, no. 1 (2000): 32– 35.

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Naqvi, Akbar. “The House That Zarina Built.” Herald, September 1993. 124–25.

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“Tearing Down the Walls.” Herald September 1991, 146–47.

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“Printmaker to Share Technique.” Daily Star, 2 November 1990, 20.

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August 1982.

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